After a week of teaching at the Coupeville Art Center on Whidbey Island Wa. one of my students and I went for a ride to explore more of the Island. This image is on the north end of the island near Deception Pass. Back light is a difficult situation especially if the foreground is deep green combined with with glowing underbrush in the background. With B+W film you can use a green filter which will lighten and separate the different shades of green. But the draw back here is you lose a couple stops of film speed. Here I used a mono pod that allowed me to shoot a couple stops slower on the shutter speed to make up the difference. Camera support is very useful in low light situations such as shooting under the canopy of the forest. A tripod would allow for much longer shutter speeds but when just strolling a mono pod is a lot easier to carry. enjoy pjc
Norwich Ct. Angles Triangles Simplicity of Creating
Still here in the past this from 2001 an image I sometimes love and sometimes feel it is a near miss. Image made on film scanned from print with a little burning and dodging to fit this medium for viewing. Prints of course are the best way of viewing. My images are simple, not simplistic. Simplicity is the hardest concept to grasp. In this latest and greatest new and improved world. Perhaps the shot is too busy? Perhaps mundane? Well my B+W is all shot on film composed in the viewfinder printed without cropping. I am repeating myself sorry. A story partially told you can ponder and add the rest of the story. See Andrea’s comment. While drinking coffee late this morning I was on another site where the photographer had loaded a roll of film yesterday and last night dreamed he had blown the whole roll. “Waking” in the dream he tried to look at the histogram but film has not histogram nor preview window on the back. Awake and posting on Google+ he was considering the idea of throwing out the film and putting away the film camera and throwing out the film without exposing. I guess he could not work without crutches anymore. Perhaps he was kidding? But I know all too many photographers who seek an instant destination rather than a journey. So what do you think? Is my image to busy? Does it lead you to memories? enjoy pjc
Photographic Art way back to the 70’s here.
More Silver Gelatin More of Other Winters
Eleven Winters ago on a ride to Dick Davis’s house we came upon this structure. Pulled off in the snow and created the image in one or two frames. Most likely one but I could have been shivering. Most often my images are 1-3 three exposures. I usually know which I like but take a couple brackets. As I remember it was late day light and cold. enjoy pjc
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